Mind the Gap/La Brecha is a temporary art and education hub located at the Blue and White Laundromat on 140st Street in the Bronx. From July-October, 2012, Elizabeth Hamby and Hatuey Ramos-Fermín worked with their neighbors to propose new ways of connecting the community to green space along the waterfront within the South Bronx and Randall’s Island. […]
Boogie Down Rides is a bicycling and art project. Boogie Down Rides is a celebration of bicycling in the Bronx. It includes educational events, community visioning sessions and group rides. Boogie Down Rides firmly believes in the power of bicycling as a way to promote active transportation, recreation, and exercise. We support and build bridges of existing […]
In collaboration with community-based organizations in the Bronx, the artists presented Boogie Down Rides, a month long cycling celebration and public education project. The project ran throughout the month of May and hosted a series of educational events, community visioning sessions and group rides. Visitors and community member learned about ongoing cycling projects in the Bronx including the development of greenways and bike paths. The project was also a place for community engagement and for members of the public to respond to these initiatives through surveys and participatory workshops. By creating a cycling project, Boogie Down Rides aimed to increase awareness of cycling as a mode of transportation and recreation, promote safe cycling and bridge existing efforts to expand cycling in the Bronx.
Photo Documentation by Jo Q Nelson, Chad Stayrook and Hatuey Ramos-Fermín While the Bronx was
Burning, Casa Amadeo was holding it down was a multi-modal installation and series of public programs. This project was produced collaboratively by Elizabeth Hamby, Hatuey Ramos-Fermín, and Action Club (Chris Domenick, Kerry Downey, Jo Q. Nelson, Douglas Paulson), as part of Shifting Communities, a sequence of exhibitions curated by Chad Stayrook at the Bronx River Art Center. Casa Amadeo is a record shop and a cultural treasure trove preserving the history and vitality of Latin music in the South Bronx. By choosing it as a launch pad, we are able to explore ideas of community, collaboration, and culture. In response to challenges we each have in our individual artwork and our shared concerns about the responsibilities of socially engaged art, we gave each other assignments that respond to Casa Amadeo’s rich social, visual, and acoustic space. DEATH TO FALSE BOOGALOOmixtape in collaboration with Douglas Paulson, Kerry Downey, Hatuey Ramos FermínEl Elemento del Bronx Panel Discussion
The first Bronx Music Heritage Center (BMHC) Latin Music roundtable, “El Elemento del Bronx, a Latin Jazz Tale”, was moderated by Bill Aguado of the Bronx Music Heritage Center with guests: Elena Martinez, folklorist; Bobby Sanabria, multi-nominated Grammy bandleader, drummer, and educator;Michael Max Knobbe, Executive Director of Bronx Net; Angel R. Rodriguez Sr., musician, arranger and Bronx Living Legends producer; and Al Quiñones, producer of 52 Park Music Series. Roundtable guests have distinguished themselves as Latin Jazz music leaders and historians, representing the Bronx through their creativity and commitment.
Participants discussed the role of demographic shifts in the Bronx in the shaping of the musical landscape of today, the evolution of Latin Music over the last 30 years, and the role of women musicians in the Latin music field.
Hip hop has become the chronicler of our times, providing historical context of issues, concerns, social attitudes, and negative stereotypes Panelists will be asked to reflect on hip hop as they remember it and talk about what hip hop is today. They also were asked about how the changing demographics influenced hip hop as a genre. The BMHC is committed to preserving the legacy of hip hop and other music genres in the Bronx for current and future generations. This conversation was documented in audio and video and was added to the growing archive of the Bronx Music Heritage Center for sharing with the broader community.
Collaborating artists Jules Rochielle (text), Elizabeth Hamby (image) Hatuey Ramos Fermín (text treatment). This project was part of Pacific Standard Time Art in L.A. 1945-1980. Pacific Standard Time Performance and Public Art Festival, LA>Tower of Protest (1966). Originally conceived by the Los Angeles Artists’ Protest Committee, and designed by Mark di Suvero, the Artists’ Tower of Protest was erected on […]
Urban Layers (www.urbanlayers.net) is an experimental collaborative platform (created by Elizabeth Hamby and David Sundell) for urban writing, mapping and media. Its goal is to foster creative combinations of old and new media techniques for describing and understanding cities including tours, essays, photography, maps and video. UrbanLayers is intended to span platforms and settings, for example linking location-based augmented […]