By Elizabeth Hamby for NAMAC The narrative of artists in neighborhoods often follows an arc that goes something like this: artists, in search of space to live and work cheaply, move to an industrial/low-income/out-of-the-way neighborhood. Real estate values rise, and all of a sudden the industry/low-income housing that made the area affordable, disappear, people are […]
Elizabeth Hamby is an artist and an educator working between the studio, the classroom, and the city. She is a member of Meta Local, an art collective that investigates the dynamics of urban space, and is one of the founders of Boogie Down Rides, a bicycling and art project in the Bronx. Recent projects include Urban Layers, a web-based collaborative platform for urban writing, mapping and media; Process and Progress: Drew Manahan, Meta Local Collaborative, and the Bronx River Alliance, at the Bronx River Art Center; and Mind the Gap-La Brecha as part of the Create Change Artist Residency at the Laundromat Project. Ms. Hamby is currently participating in the Artists as Arts Workers Residency program at the Elizabeth Foundation for the Arts, as well as an unofficial residency at the Museum of the City of New York, where she coordinates the Neighborhood Explorers afterschool program. Elizabeth Hamby holds a BA in Cultural Studies and Philosophy from Eugene Lang College and a BFA in Fine Art from Parsons School of Design. She lives and works in the Bronx.
Underwater New York is a digital journal of writing, art and music inspired by real-life objects found in the waterways of NYC. In conjunction with “Process and Progress,” UNY has invited three writers with strong ties to the Bronx to write original fiction or poetry around surprising once-submerged Bronx River finds like a piano, a human skull, a horse trailer and more.
On View from February 01 – February 23 Gallery Location: 305 E. 140th Street, #1A, Bronx, NY 10454 Reception: Friday, February 1, 2013, 6-9pm GALLERY HOURS: Wednesday–Friday, 3pm–6:30pm / Saturday, 12pm–5pm FREE ADMISSION Bronx, NY, January, 2013—Bronx River Art Center (BRAC) is proud to announce Process and Progress: Drew Manahan, Meta Local Collaborative & The […]
Creative Conversations: Nontsikelelo Mutiti, Elizabeth Hamby, and Hatuey Ramos-Fermin Reposted from the Laundromat Project. Each year, The Laundromat Project commissions 5-7 Create Change Public Artists-in-Residence to create socially engaged art in their own neighborhood coinops. Over the course of six months, they join our Create Change Professional Development Fellows in a series of workshops meant […]
By Patra Jongjitirat for Project for Public Spaces Elizabeth Hamby and Hatuey Ramos Fermín are people connectors. As artists, activists, and Bronxites, their creative collaborations are all about gathering information from neighbors and presenting it in ways that allow communities to better understand themselves and the urban spaces they create. The two have worked in all kinds of […]
“Maps are about relationships among which meanings circulate.”
Denis Wood, Rethinking the Power of Maps
More than half of the world’s population are classified as “urban dwellers,” but their experience is hardly unified. For example, drastic socio-economic disparity and unequal access to resources occur in startling proximity in dense urban areas. Further, the city itself is richly woven with public and private spaces constructed through the collective action of individual citizens. Using a street cart as a vehicle for exploration and dialogue, Street CARTographies will travel across a city, exploring the relationships between people from diverse neighborhoods and communities.
This multi-day participatory urban intervention visits plazas and other public gathering places throughout the city. The cart unfolds to serve as a base for a community map and visitors to the plaza are invited to pin locations in a city that are important to them. Participants are given a balloon corresponding to the color of the pin, printed with the text, “I am on the map” As they move through the plaza with their balloons, participants effectively turn the plaza itself into a map representing all of the places important to its’ inhabitants.
Following the intervention, the maps, accompanying documentation including photographs and videos, and the street cart itself is installed in an exhibition space in order to further the dialogue and include other participants.
Street CARTographies maps the relationships—both visible and invisible—that shape the meanings of the city for its inhabitants. These maps are not only containers for information but rather bridges between people, ideas and places. By visualizing the relationships at work in public spaces, this project articulates the construction of space in both geographical and human terms.
This project is a collaboration between Hatuey Ramos Fermín and Elizabeth Hamby we are artists and educators working together to investigate the dynamics of urban space; exploring the histories of buildings and neighborhoods, and tracing the flows of people, ideas and products. Combining documentary strategies with performance and fine art, their collaborative practice seeks to articulate concepts of origin, public-ness and private-ness, and the sense of place.
The Voices and Visions Re-imagining America Media Exhibition at the recent Imagining America national conference in New York City presented the work of artists and artist collectives whose practices articulate the mission of Imagining America by thriving in and contributing to community-based action and revitalization. The program was divided between two screening rooms, focusing on the strategy and practice of community-based art work. The […]
By Patrick Wall for DNAinfo MOTT HAVEN — With its rumbling dryers and stinging smell of detergent, the Blue and White Laundromat on East 140th Street is a fine place to wash clothes, but an odd one to dream about a river. But that is what two Mott Haven artists are asking patrons to do […]
Mind the Gap/La Brecha is a temporary art and education hub located at the Blue and White Laundromat on 140st Street in the Bronx. From July-October, 2012, Elizabeth Hamby and Hatuey Ramos-Fermín worked with their neighbors to propose new ways of connecting the community to green space along the waterfront within the South Bronx and Randall’s Island. […]
Boogie Down Rides is a bicycling and art project. Boogie Down Rides is a celebration of bicycling in the Bronx. It includes educational events, community visioning sessions and group rides. Boogie Down Rides firmly believes in the power of bicycling as a way to promote active transportation, recreation, and exercise. We support and build bridges of existing […]
In collaboration with community-based organizations in the Bronx, the artists presented Boogie Down Rides, a month long cycling celebration and public education project. The project ran throughout the month of May and hosted a series of educational events, community visioning sessions and group rides. Visitors and community member learned about ongoing cycling projects in the Bronx including the development of greenways and bike paths. The project was also a place for community engagement and for members of the public to respond to these initiatives through surveys and participatory workshops. By creating a cycling project, Boogie Down Rides aimed to increase awareness of cycling as a mode of transportation and recreation, promote safe cycling and bridge existing efforts to expand cycling in the Bronx.
Photo Documentation by Jo Q Nelson, Chad Stayrook and Hatuey Ramos-Fermín While the Bronx was
Burning, Casa Amadeo was holding it down was a multi-modal installation and series of public programs. This project was produced collaboratively by Elizabeth Hamby, Hatuey Ramos-Fermín, and Action Club (Chris Domenick, Kerry Downey, Jo Q. Nelson, Douglas Paulson), as part of Shifting Communities, a sequence of exhibitions curated by Chad Stayrook at the Bronx River Art Center. Casa Amadeo is a record shop and a cultural treasure trove preserving the history and vitality of Latin music in the South Bronx. By choosing it as a launch pad, we are able to explore ideas of community, collaboration, and culture. In response to challenges we each have in our individual artwork and our shared concerns about the responsibilities of socially engaged art, we gave each other assignments that respond to Casa Amadeo’s rich social, visual, and acoustic space. DEATH TO FALSE BOOGALOOmixtape in collaboration with Douglas Paulson, Kerry Downey, Hatuey Ramos FermínEl Elemento del Bronx Panel Discussion
The first Bronx Music Heritage Center (BMHC) Latin Music roundtable, “El Elemento del Bronx, a Latin Jazz Tale”, was moderated by Bill Aguado of the Bronx Music Heritage Center with guests: Elena Martinez, folklorist; Bobby Sanabria, multi-nominated Grammy bandleader, drummer, and educator;Michael Max Knobbe, Executive Director of Bronx Net; Angel R. Rodriguez Sr., musician, arranger and Bronx Living Legends producer; and Al Quiñones, producer of 52 Park Music Series. Roundtable guests have distinguished themselves as Latin Jazz music leaders and historians, representing the Bronx through their creativity and commitment.
Participants discussed the role of demographic shifts in the Bronx in the shaping of the musical landscape of today, the evolution of Latin Music over the last 30 years, and the role of women musicians in the Latin music field.
Hip hop has become the chronicler of our times, providing historical context of issues, concerns, social attitudes, and negative stereotypes Panelists will be asked to reflect on hip hop as they remember it and talk about what hip hop is today. They also were asked about how the changing demographics influenced hip hop as a genre. The BMHC is committed to preserving the legacy of hip hop and other music genres in the Bronx for current and future generations. This conversation was documented in audio and video and was added to the growing archive of the Bronx Music Heritage Center for sharing with the broader community.